About

I’m Shane Parsons, a cinematographer whose work blends visceral storytelling with technical precision. My career spans from shooting features like Life After Fighting to the upcoming underground fighter story Relentless, alongside a wide body of work in short films and music videos.

I’ve built a reputation for capturing kinetic, physical stories—often working closely with stunt teams and fight choreographers to create sequences that feel both cinematic and authentic. My time operating robotic motion-control rigs with D2 Motion has pushed me to the cutting edge of camera movement, giving me the ability to blend handcrafted storytelling with technology that unlocks impossible shots.

Before breaking into feature films, I cut my teeth on music videos and independent shorts—projects that demanded creative problem-solving, bold visual style, and the ability to deliver striking images under pressure. Those early experiences shaped my eye for dynamic lighting and rhythm, whether it’s a tungsten-lit moment of intimacy or a neon-soaked fight sequence.

For me, cinematography is about more than just light and lens—it’s about rhythm, trust, and giving every frame weight. My goal is to leave audiences not just watching a story, but feeling it.

  • Motion Control

    I’ve worked extensively with robotic motion-control systems, collaborating with D2 Motion to design and operate precision camera moves for both narrative and high-concept projects. This experience has allowed me to merge creative cinematography with cutting-edge technology—unlocking complex visual sequences, repeatable stunts, and shots that would otherwise be impossible.

  • Action Cinematography

    With over a decade of experience embedded in Sydney’s stunt industry, I bring a deep understanding of physical storytelling to the camera. I’ve worked side by side with stunt teams and fight choreographers to design sequences that are both cinematic and authentic. My approach balances dynamic movement with clarity—ensuring every hit, fall, and breath lands with visceral impact while always serving the story.

  • VFX/SFX

    Practical effects have always been at the core of my process, shaping the way I approach storytelling across film, shorts, and music videos. From blood rigs and breakaway props to fire gags and atmospheric builds, I’ve worked extensively with SFX teams to ground visuals in tangible realism. In parallel, I collaborate closely with VFX artists to extend those foundations—seamlessly blending the practical with the digital to create sequences that feel authentic, immersive, and cinematic.